This widow fears going
Broke, becoming enfeebled,
Dying alone. Maybe, even
Being alone. Maybe just
Being sad
Category Archives: Complications
Average
The river at its most placid
Is eerily glassy, a flat road,
Unbroken by the rapid whirls
So familiar on normal days.
Are there normal days, are
The days where the eddies
Appear normal, and in what
Way are they so? Is normal
The unquiet moving water,
Running up and down, or so
It seems, or is normal a bar
Too high or too hidebound
Fix it, fix-ins, fixtures
So much madness, crazy
Stuff, so crazy you only
Can call it shit, crazy shit.
Just reach for the sides,
Sweet potatoes, they will
Save you, I like mine with
Out the marshmallows, I
Know, sweeter maybe is
Better, especially now, I
Agree. Pass the brussel
Sprouts, please. There's
A chandelier at the Met
That just makes me feel
Good, feel better. These
Lights go up before the
Curtain does. At the Met.
Cloudy and hazy
Heat makes me crazy, I
See it irks you, too, this
Hazy, heated oppression,
Air thicker than its usual
Transparency, its normal
Appearance, would make
Clear. Clarity is not in the
Air. When it's this hot, it
Envelops you, deep into
Your skin, your pores are
Resistant. Heat is sitting
On the surface, all over
Your body. Hot weather
Let loose, let go. It's hot
It’s time
What are we waiting for?
The bus? A train, the rain
To stop, doors to close,
Doors to open, the light
To change, to fade. We
Wait, and let the time go
Past us, get out of our
Reach. How can we be
Sure which moment is
Our moment? Aren’t we
Just waiting for the now?
Silhouettes
What is it that troubles us
In the darkness of a world
Worshipping the negative,
A reverse image, outlines
Of the positive image we
Have loved to put forth, by
Force, something left in a
Tank of developing fluid,
Chemically enabling the
Vision of light to emerge.
Lightening the corners
Bringing them out of the
Corners, no longer as sad,
Or dangerous or, dare we
Troubling, as darkness
Hints of darkness
The air smells of the overwrought
Pasta she'd made last.night, heavy
Like the fevered pieces of seasoned
Gnocchi, overcooked to a hard and
Unyielding patch. The scent is a mix
Of sweet and exotic, almost nice. It Is an aroma at once pleasant and
Dark. It's clingy like the night that
Awoke her, insistant, incessant, full
Of its own life, yet lurking in corners
A painting in the darkness

The rooftops, my rooftops have
An Edward Hopper loneliness.
No one lives on a roof, that's an
Of course, so, of course it is a
Lonely landscape. Unpopulated.
We look out upon many signs of
Life. Glimmering lights shine in
High-rise windows. Apartment
Buildings encircle the rooftops
At a not-too distant length. It's
Near enough to feel as if they
Are the buffer protecting the
Unoccupied expanse of roof
And shining a warmth, like a
Friendship and a signal of a
Solidarity brightening a dim
Dark night. They stand guard
Over the rooftops, my rooftops
Speechless
In deference to Jane Austen, who never would be silent
She would not add her voice
To any discourse, fearing the
Possible controversy of her
Thoughts. Contentious is not
Content nor contented. What
Would do in her circumstance
But to hold silent, to not voice
The differences in their ideas
New beginning
At dawn, the day was still
Dark as it is when daylight
Savings rings in the winter;
Skies slower to lighten so
That the light of day has
Crept up on me. I cannot
Tell you when it opened up
When it really turned into
This day, the first of a new
Year. A new year, which I
Am slow to welcome just
As this morning's sky was
Slow to let in light. This is
The first and usually, I like
New beginnings, a fresh
Start. This first feels as if
It's been rotting while it's
Waited for a big entrance.
Is it already stale, and as
Predictable as yesterday?